My first official reading for Californium
was July 5, 2016. In terms of proper premieres, this one had it all:
- A full two weeks before the novel’s official release date of July 19
- An amazing venue—the second-oldest bookstore in Lisbon, Portugal, Livraria Ferin (1840)
- A great bill that included David Caplan and Frank X. Gaspar
- A full house featuring so many writers I admire—Molly Antopol, Erica Dawson, Annie Liontas, Denis Johnson, Maaza Mengiste, Jeff Parker, Arthur Flowers, Chanan Tigay, and more.
It was nerve-racking to kick off a new book, my first novel, that way, and it was perfect. People laughed at the parts that were supposed to be funny and, just as importantly, didn’t laugh at the parts that weren’t.
Since then, readings for Californium have taken me to both coasts, seven states, several bookstores, one book group, a few college campuses, and the occasional book festival. I’ve given interviews for print and podcasts, and I even got to be live on NPR one evening with three other writers.
Though there is nothing official about my upcoming reading being the last of a two-year tour for Californium, it has that feel to it:
- A sizeable city close to my home
- An amazing venue—the Carnegie Centre in the historic section of Lexington
- A great bill that includes Shayla Lawson and Kathryn Ormsbee
- An event I’ve long hoped to be a part of: The Kentucky Great Writers reading series
I’m sure I’ll read from Californium again. I’ve never stopped loving the book and have never grown tired of dropping into the world of Reece, Keith, Treat, Edie, van Doren, and
DikNixon. It’s always a pleasure to go there. But, I’m also glad to be transitioning more and more attention to finishing the next two projects—an essay collection and a novel. The former is close and the latter, who knows, but I like where it’s going so far.
So, this coming Tuesday, I hope all goes as it has gone since that first reading in Lisbon, which is warm and friendly, fun, and well. That’s a proper way to wind down the tour, to end the chapter, and to begin the next.

December 15.
which you might think makes sense, one big name writer honoring another. But Denis didn’t discriminate. If you were reading, whether he knew your name or not, he was listening.
trying to come up with a name for their punk band and running through a list of possibilities: Atomic Anarchy, Gone Fission, Second Thoughts, Screaming Mimes, The Variables, Solve for X, Los Punks, and ¿Habla Anarchy?. To my relief, people were laughing in all the right places, including Denis. After the reading, he even had a suggestion for a band name: Dowager Orgy.
allow, and only somewhat near the mark.
Fernando Pessoa never visited the United States, so he never made it to California. At least, not physically. A writer so ahead of his time — post-modernist before there was post-modernism — he surely would have found a novel set in a time and place beyond his own experience attractive. He would have laughed at early eighties So Cal culture (as we all should); he would have delighted in characters who are trying to understand their place in the universe (even if that universe is high school); and he definitely would have liked punk rock (in principle, and maybe in practice as well). And if nothing else, he’d have been intrigued by the cover. It’s a pretty cool cover.
Long before I had a book deal or even an agent for my first novel, Californium, back when it was just a manuscript, I knew, well I believed, it was a book somebody would want some day. So, even then I’d think about that day Californium would be published, and where I’d be.
do with Portugal, or Europe, or anything historical beyond the early eighties punk scene set down amidst California’s growing military industrial complex (in a funny way, I promise). This is the third week of a teaching assignment with Disquiet International and Bluegrass Writers Studio Low-Res MFA program. I committed to it before the pub date was set.
over these past few weeks, I’ve had the pleasure of attending so many other great readings around this historic city—Padgett Powell, Molly Antopol, Maaza Mengiste, John Herrin, Mikhail Iossel, Chanan Tigay, Annie Liontas, Arthur Flowers, Sabina Murray, Afonso Cruz, and National Book Award Winner, Denis Johnson (who I am blatantly name-dropping here because he came to my reading too and laughed at all the right places, which may be the most authentic kind of positive review I could ever hope for).
You know how you sometimes hear those apocryphal stories about writers and writing: Ernest Hemingway’s wife leaving his entire manuscript on a train; Sherwood Anderson writing the bulk of Winesburg, Ohio, in the middle of the night and naked; Alice McDermott basing an uncompleted novel on one of my short stories? Some are completely false (like the thing about Alice McDermott; I just really like her). But some are based in fact and a few of those happen to be completely true.
en: Stories for $5 off (see the link below). Then, you can use that money to buy me a beer or a latte when I sign it for you.
This is supposed to be my 2015 writerly wrap-up. It probably should have posted a month ago. But that’s kind of what 2015 was all about. My story collection, DELICATE MEN, came out so late in 2014 (December 29) it felt more like 2015. And so, the year began with things arriving late and that never really went away.
Also in 2015, my agent, Mackenzie Brady Watson, sold my first novel, CALIFORNIUM, to Plume-Penguin. I’d taken long gaps in working on the novel and taken a long time revising it. In fact, technically it’s the first book I ever wrote, but it will be the third book published with my name on it. (There’s a collection of pedagogical essays I edited, TEACHABLE MOMENTS, floating around this world too).
